As I entered the Apollo Theatre with a hint of skepticism, questioning the need for a stage adaptation of the beloved British sitcom Fawlty Towers, little did I know that my doubts would soon be shattered. Two hours later, I emerged from the theater, overcome with laughter and reminded once again of the folly of preemptive judgments.
Fawlty Towers The Play is sure to evoke discussions about the state of British theatre, with some bemoaning the lack of groundbreaking or edgy productions. However, not every show needs to be a game-changer. Sometimes, what the audience craves is simple entertainment, an opportunity to have a rollicking good time, and that is precisely what this play offers, and then some.
One comforting aspect for fans of the original series is that John Cleese himself has penned this theatrical adaptation. Drawing inspiration from his favorite episodes, such as “The Hotel Inspector,” “The Germans,” and “Communication Problems” (featuring the unforgettable Mrs. Richards), Cleese expertly weaves them together, even providing a slightly hurried conclusion to tie the threads. The adeptness of Cleese’s new script is evident, eliminating any suggestion of beloved material being rehashed without care.
The stage adaptation breathes new life into Fawlty Towers, embracing the unique opportunities that theater presents. With the right cast and a touch of Cleese’s brilliance, the essence of the original series is not lost but enriched in the live setting. The laughter reverberates through the theater, creating an electric atmosphere that even the most devout Fawlty Towers enthusiasts find captivating.
So, while the need for a stage adaptation may not seem apparent at first, one cannot deny the magnetic pull of experiencing the comedy genius of Fawlty Towers in a live performance. This play is a testament to the enduring popularity and timelessness of the original sitcom, capturing the hearts of both old and new fans alike.