As Harriet Armstrong embarked on a bus ride through the rainy streets of east London, she couldn’t help but feel a wave of nostalgia wash over her. Peering through a Chinese takeaway window in Leyton, she saw people eagerly waiting for their food, and it transported her back to her own childhood. Growing up in Portsmouth and later in London, Armstrong’s family and relatives owned Chinese takeaways, making them a significant part of her upbringing.
Despite the challenges she faced as a British-born Chinese in a naval city, with incidents like fireworks being thrown through their letterbox, the comforting glow of Good Friend takeaway brought back deep-seated memories. Armstrong vividly recalled the sounds of woks sizzling and the feeling of being trusted with the simple task of putting lids on the boxes. It was a moment that flooded her mind with cherished moments from her seven-year-old self.
Inspired by this sudden rush of emotions, Armstrong decided to channel her nostalgia into her art. Embracing her role as a Chinese-British artist, she set out to capture the essence of Chinese takeaways and the memories they evoke. Through her paintings, sculptures, and installations, Armstrong recreates the sights, sounds, and even the scents of these beloved establishments.
Her artwork not only preserves a part of her own history but also resonates with others who have similar memories. Armstrong’s exploration of Chinese takeaways takes on a deeper meaning, reflecting the multicultural nature of British society and celebrating the diverse contributions of immigrant communities.
Through her creative expression, Armstrong invites viewers to delve into their own personal recollections, sparking conversations about identity, heritage, and the power of food in connecting people across cultures. Her work serves as a reminder of the impact that even the simplest of places can have on our lives, reminding us of who we are and where we come from.